Harsh noise wall, a wall of sound, a wall of pure static, and a sound formed as a boundary. Boundaries are a form of limitations that involve two various parties that clash. When they clash, we have what we call war.
War is also a wall, a punishing, merciless wall that leaves no room for grey space. You cannot sit in between the two; you must join a side or fight both. War however is not a motionless entity, instead it is one that shifts and bends, like the battle for a city block, or a large building that would be considered a highly militaristic advantage.
Urban warfare in general is not consisted of great battles, but often short outbursts that occur and last somewhere between 10-30 minutes. This is the reasoning for the length of this release. In twenty minutes a team of armed soldiers can take on the enemy, destroy them, and then claim the territory for themselves.
These are the ideas behind Bachir Gemayel. As a tribute to my people who continue to fight, what seems to be the case today, an endless wall of enemies. It is their resistance as a wall that keeps the others out.
The quick pace and quick changes show the fierceness of war. Bullets flying past you, making nicks in the wall. There are car bombs tearing the concrete from underneath them and spraying bystanders. Screaming families hiding in stairwells, listening to the sound of RPGs hit their home. Slitting the throat of your enemies or intruders, leaving their world and their families in ruins.
The walls constructed are made of nothing more then misbaha beads and bullet casings, standard items either held or scattered around war torn areas of Lebanon. This is HNW on a realistic level. Inspired by life and the world around me, in the name of my people, I produce Walls of War.
***Bachir Gemayel presents a twenty-minute textural assault. This wall continuously moves, methodically and mercilessly, down textural avenues and alleyways of ruptured concrete and contorted steel. Throughout the piece, there is a tremendous sense of friction and violent tension between the frequencies, causing different lines of texture to, at times, meld into one another and, at others, to violently repel each other, giving birth to a multitude of textural contractions and expansions. The use of misbaha beads and bullet casings as source material, along with the absence of distortion effects, gives this material an organic tangibility that is often the backbone of quality noise. Comes in shatter-proof jewel-case, with uniform Order of the HNW cover design and with Order of the HNW emblem sticker. Each booklet contains a written piece penned by the artist (see above).***
Prices, including postage, are:
Single Volume: £4.00 (UK), £5.00 (EU), £5.50 (USA, RoW)
Two Volumes: £7.00 (UK), £9.00 (EU), £9.50 (US, RoW)
Send payment in GBP to: firstname.lastname@example.org